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Deborah Kerr
Filmography | Awards
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Kerr with Gladys Cooper in
SEPARATE TABLES (1958), a screen adaptation of Terence Rattigan's two
one-act romantic playlets set at an English seaside resort. Kerr
earned her fifth Oscar nomination for her portrayal of a lonely spinster
further alienated by her domineering mother (Cooper),
but her reserved, understated performance lost in the Best Actress category to Susan Hayward's
desperate struggled against the death penalty in I
WANT TO LIVE! |
Memorable Quotations:
-
"There's nothin' belligerent about it. It's entirely a question
of which side I'm neutral on." --as Bridie Quilty in THE ADVENTURESS
(1946).
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"Years
from now, when you talk about this, and you will, be kind." --as Laura
Reynolds in TEA AND SYMPATHY (1956) (a .WAV file).
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"I am not a promiscuous trollop! It never happened before."
--as Hilary Rhyall in THE GRASS IS GREENER (1960).
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"I should think as one grows older, dying would seem more
natural." --as Miss Madrigal in THE CHALK GARDEN (1964).
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"Love is the most important word in any language.
From love comes happiness." --as Miss Madrigal in THE CHALK GARDEN (1964).
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"At our last meeting, I died. It alters the
appearance." --as Miss Madrigal in THE CHALK GARDEN (1964).
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Taking time off from dramas, Kerr scored a comic triumph
when she teamed with Cary Grant, Robert
Mitchum and Jean Simmons
in the drawing room comedy THE GRASS IS GREENER (1960) about an American
tourist (Mitchum)
who threatens to break up the marriage of an aristocratic English couple (Grant
&
Kerr) when he takes a guided tour of their castle.
"The Original Theatrical Trailer" from THE GRASS IS GREENER (1960) (a .MOV
file courtesy AMC). |
Kerr with
Robert Mitchum in Fred
Zinnemann's THE SUNDOWNERS (1960), the Best Picture-nominated film adaptation
of Jon Cleary's novel about an Australian sheep-herding couple who are torn
between the excitement of their wandering lifestyle and a desire to settle down
for the sake of their son. While the storyline doesn't sound like much,
the characterization and performances in this film make it first-rate.
Peter Ustinov and Glynis Johns also make
memorable contributions in supporting roles. Kerr earned her sixth and final
Academy Award nomination for her makeup-less performance in this heart-felt
and often underrated family drama. |
In
one of her last great film appearances, Kerr plays an itinerate quick-sketch
artist caring for her aging grandfather at a secluded Mexican hotel in
John Huston's 1964 adaptation of
Tennessee Williams' THE NIGHT OF THE IGUANA. Seemingly wise beyond her
spinsterish experiences, Kerr also offers consolation and understanding to
Richard Burton, a defrocked priest
accused of seducing a teenager (Sue Lyon) on his tour bus and skirting the edges
of sanity as the knowledge of his past sins continually torment him. In an
interesting reprisal of their dynamic on either side of
Clark Gable in THE HUCKSTERS (1947)
(Kerr's American film debut), Ava Gardner, playing
the worldly hotel proprietress, offers Burton a different form of comfort.
Though definitely dramatic, and often disturbing (as Tennessee Williams often
is), THE NIGHT OF THE IGUANA showcases some mesmerizing performances, not the
least of which is Kerr's. |
Further Reading:
- Deborah Kerr by Eric Braun (New York: St. Martin's Press,
1978).
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Filmography | Awards
| Downloads | Links
| Image Credits |