| | 1935 | CAPTAIN BLOOD | Best Director Nomination:
Michael Curtiz |
| | 1935 | CAPTAIN BLOOD | Best Sound Recording Nomination:
Nathan Levinson (head of Warner Bros.-First National sound department) |
| | 1935 | CAPTAIN BLOOD | Best Musical Scoring Nomination:
Leo F. Forbstein (head of department); score by Erich Wolfgang Korngold |
| | 1935 | CAPTAIN BLOOD | Best Picture Nomination |
| | 1936 | THE CHARGE OF THE LIGHT BRIGADE | Best Sound Recording Nomination:
Nathan Levinson (head of Warner Bros.-First National sound department) |
 | 1936 | THE CHARGE OF THE LIGHT BRIGADE | Best Assistant Director Oscar:
Jack Sullivan |
| | 1936 | THE CHARGE OF THE LIGHT BRIGADE | Best Musical Scoring Nomination:
Leo F. Forbstein (head of department);
score by Max Steiner |
| | 1938 | THE ADVENTURES OF ROBIN HOOD | Best Picture Nomination:
Hal B. Wallis, Henry Blanke |
| 1938 | THE ADVENTURES OF ROBIN HOOD | Best Art Direction Oscar:
Carl Jules Weyl |
| 1938 | THE ADVENTURES OF ROBIN HOOD | Best Film Editing Oscar:
Ralph Dawson |
| 1938 | THE ADVENTURES OF ROBIN HOOD | Best Musical Scoring Oscar:
Erich Wolfgang Korngold |
| | 1939 | THE PRIVATE LIVES OF ELIZABETH AND ESSEX | Best Art Direction Nomination:
Anton Grot |
| | 1939 | THE PRIVATE LIVES OF ELIZABETH AND ESSEX | Best Sound Recording Nomination:
Nathan Levinson (head of Warner Bros. sound department) |
| | 1939 | THE PRIVATE LIVES OF ELIZABETH AND ESSEX | Best Special Effects Nomination:
Byron Haskin (photographic), Nathan Levinson (sound) |
| | 1939 | THE PRIVATE LIVES OF ELIZABETH AND ESSEX | Best Musical Scoring Nomination:
Erich Wolfgang Korngold |
| | 1939 | THE PRIVATE LIVES OF ELIZABETH AND ESSEX | Best Color Cinematography Nomination:
Sol Polito, W. Howard Greene |
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