De Havilland and Flynn
embrace in a still from what is probably the most famous if not the
best of the various film versions of Robin Hood, Michael
Curtiz's THE ADVENTURES OF ROBIN HOOD (1938). This
Warner Bros. Technicolor triumph is the most famous of
de Havilland and Flynn's
films together and they star as the heroic Robin Hood and loyal Maid Marian,
alongside a blonde-bearded Claude
Rains as the evil Prince John, as well as Basil Rathbone, Alan Hale and Eugene
Pallette. The film was nominated for Best Picture of
the year and eventually took home three other Oscars for its art/set direction,
editing and musical scoring by Erich
Wolfgang Korngold.
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Memorable Quotations:
"Of course, a lot of people think I'm
crazy. Do you? ... I'm not really crazy. I'm just
honest." --as Marcia West in IT'S LOVE I'M AFTER.
"Darling, you really should get yourself introduced to
me sometime." --as Marcia West in IT'S LOVE I'M AFTER.
"What are manners? Little rules for
little people." --as Marcia West in IT'S LOVE I'M AFTER.
"Aunt Ella, when Basil Underwood feels like a kipper, I'm sure he doesn't feel like an egg -- even an aristocratic
one." --as Marcia West in IT'S LOVE I'M AFTER.
"I think that everyone should act the way they
feel." --as Marcia West in IT'S LOVE I'M AFTER.
"You can't kiss me like that and have it mean
nothing!" --as Marcia West in IT'S LOVE I'M AFTER.
"Have an apple, Mr. Whitney." --as Sprat Ferris in
GOLD IS WHERE YOU FIND IT (1938).
The role that really got de Havilland's dramatic career started
was that of the angelic Melanie Wilkes in the Best Picture of 1939, David
O. Selznick's production of GONE
WITH THE WIND. Shown here in a still from the charity ball with Clark
Gable as Rhett Butler, de Havilland earned an Academy Award nomination
as Best Supporting Actress for this role, her first ever Oscar nomination.
Upon returning to Warner
Bros. in triumph after her loan out to David
O. Selznick for GONE WITH THE
WIND, de Havilland expected star treatment and better roles, but to
her dismay she was cast in another period picture with Errol
Flynn, and this time Bette Davis
had usurped de Havilland's usual romantic leading role, playing Queen
Elizabeth in THE PRIVATE LIVES OF ELIZABETH AND ESSEX (1939). De
Havilland was instead relegated to a supporting role as one of Davis'
ladies in waiting (in still at left).