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Ann Miller's bons mots could fill a funny book
by Robert Osborne
The Hollywood Reporter, 27 January 2004
NEW YORK -- Over the years, words that sprang from the
mouth of Ann Miller have become legendary. It's been suggested that a book
of "the wit and wisdom" of Ann, who died last week, couldn't fail to be a
best seller. For instance: When she was doing "Sugar Babies" on Broadway,
Ann was asked if she'd be working on Passover. Her reply: "Oh, honey, I
never do game shows." Then there was the time she filled out a W4 form and,
in the blank after "occupation," she wrote "Star lady." In trying to give
comfort to a friend who'd just had a miscarriage, she said, "Well, just
remember, we all have to go sometime." ... Further: A close chum remembers
Ann once asking her to look up Arlene Dahl's phone number in Ann's own phone
book. When the friend could find no listing under "D" or even "A," Ann took
the book and immediately turned to the proper page: "G" for "girlfriend."
Those Miller-isms never stopped, and they tickled everybody; she herself
never quite understood what was so funny. To some they made her seem like a
raven-haired Lorelei Lee, but her friends knew better: It was just Ann being
Ann, which also meant no malice was ever attached. Her pals also knew she
was, most importantly, as consistently kind-hearted and loyal a person as
you'd ever find, that proverbial "good egg" who was as lively and positive
as she was unpredictable and, until lately, unsinkable. In spite of a long
and increasingly debilitating illness, she always had cheery words for
everyone she met and always made sure she looked like a million dollars.
Trained while under contract to RKO,
Columbia and, especially,
MGM that "a star lady should look
like a star," she learned a lesson she never forgot. She also felt that as a
representative of Hollywood and an industry she loved, she owed the public a
good show and a glamorous appearance. No shaggy hair for her. No ripped
jeans or spitting on the paparazzi, either. (Today's behavior by celebs both
baffled and depressed her.) She was a consummate pro, grateful to be working
whenever she was allowed to do so, and, indeed, she forged one of the longer
movieland careers. She began as a movie extra at age 12, she had a juicy
role at 16 in an Academy Award-winning picture (Capra's
1938 "You Can't Take It With You"), and at age 79 she was still before the
cameras, in David Lynch's 2001 film "Mulholland Drive" ("I don't understand
one damn thing about that crazy movie," she told me, "but isn't it a hoot
that I'm in it!"). Two of her proudest accomplishments: dancing on film with
Fred Astaire (1948's "Easter
Parade") and Gene Kelly (1949's
"On the Town") and her roaring Broadway success with
Mickey Rooney in 1979-80 in
"Sugar Babies." She was a champion to the end, and her death Thursday at age
81 leaves an enormous void in the lives of everyone who had the good fortune
to know her. From here on, it's going to be a drearier, less Technicolored,
less entertaining world without Ann Miller in it.©
2004 The Hollywood Reporter |
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