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Cary Grant
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THE PHILADELPHIA STORY
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A studio publicity of shot
Kate and Cary for George
Cukor's HOLIDAY (1938), their third film together and an unconventional love
story about two social misfits who find each other in a sea of high society
stiffs. |
More Memorable Quotations:
- "Nothing like having a wife that can support you." --as
Alec Walker in IN NAME ONLY (1939).
- "When the cat's away, the mouse will play." --as Alec
Walker in IN NAME ONLY (1939).
- "If you're going to kill someone, do it simply." --as
Johnnie Aysgarth in SUSPICION (1941).
- "You were lovely of form and face, but I had a feeling that
if a gnat dove into your pool of knowledge, he'd break his neck."
--as Pat O'Toole in ONCE UPON A HONEYMOON (1942).
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"Insanity
runs in my family . . . it practically gallops!" --as Mortimer
Brewster in ARSENIC AND OLD LACE (1944) (a .WAV file).
-
"Holy Mackerel!" --as Mortimer
Brewster in ARSENIC AND OLD LACE (1944) (a .WAV file).
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Apart from Katharine
Hepburn, Cary made several of his best early films opposite
RKO's other
queen of the lot, Irene Dunne. In THE AWFUL TRUTH (1937)
(at right) they play an obstinate young couple bent on divorce and fighting over
custody of their dog, Mr. Smith (again played by Asta), all this despite the fact
that they still love each other. Later, in MY FAVORITE WIFE (1940),
Dunne returns from an extended stay on a deserted island to find her husband
Cary haplessly remarried to Gail Patrick. After the resounding success of
these two screwball comedies, they proved their combined dramatic mettle in
PENNY SERENADE (1941), playing a young married couple struggling through
hardship and heartbreak. |
In 1940, Cary reteamed with BRINGING UP
BABY director
Howard Hawks for one of his
all-time best films, HIS GIRL FRIDAY (1940), a gender-bending adaptation
of Ben Hecht and Charles McArthur's hit play "The Front Page" co-starring
Rosalind Russell as the ex-wife and star reporter of Cary's newspaper
The Morning Post. |
Cary's three hugely successful comedies of 1940 established him
as Hollywood's quintessential screwball comedian, and though his attempts to
play varied roles in subsequent years met with mixed reactions, no sub-par
box-office returns could take away the fact that Cary Grant had become a bona
fide star. |
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