Cooper as 19th-century tobacco farmer, Brant Royle with Patricia
Neal in Michael Curtiz's
BRIGHT LEAF (1950). This film also starred Donald
Crisp and Lauren Bacall.
Back to his movie-making roots, in 1952 Cooper starred in perhaps
his best-known western, Fred
Zinnemann's HIGH NOON (1952), also starring Grace
Kelly and Thomas Mitchell. Although
by the time he made the film, Cooper had appeared in some two-dozen
westerns, for HIGH NOON's director, Fred
Zinnemann, the film marked his first of only two forays into the genre.
Cooper about to marry his Quaker bride Amy (Grace
Kelly) in HIGH NOON. One of the film's four Academy Awards went to Dmitri
Tiomkin for his Best Song of 1952, "Do Not Forsake Me, Oh My Darlin'
(On This Our Wedding Day)."
HIGH NOON'S seven total Oscar nominations also included one for
Best Picture of the Year.
Cooper as lawman Will Kane preparing to meet killer Frank Miller
in the climactic finale of HIGH NOON (1952). The screen veteran earned his
fifth nomination and second Best Actor Oscar for his performance in this classic
western.
Music Clip:
"Do
Not Forsake Me, Oh My Darlin'" (clip) music by
Dmitri
Tiomkin, sung by Tex Ritter (a .MP3 file).
(For help opening any of the multimedia files, visit the plug-ins
page.)
In 1956, Cooper once again played a pacifist in wartime, as Jess
Birdwell, a Quaker struggling to maintain his faith during the Civil War.
Directed by William Wyler and
co-starring Dorothy McGuire
and a young Anthony Perkins, FRIENDLY PERSUASION is simply a beautiful film.
More Memorable Quotations:
"You know, you're not the prettiest girl I ever saw."
--as Cole Hardin in THE WESTERNER (1940).
"Let's have it out. I made an ass of myself and I know it."
--as Professor Bertram Potts in BALL OF FIRE (1941).
"Let me get this straight. You came to tell me you're not coming?"
--as Frank Flannagan in LOVE IN THE AFTERNOON (1957).
"He who loves and runs away lives to love another day."
--as Frank Flannagan in LOVE IN THE AFTERNOON (1957).
Cooper engaged in a May-December romance with Parisian schoolgirl and cello
player Audrey Hepburn in
Billy Wilder's LOVE IN
THE AFTERNOON (1957), one of the best and most subtle mockeries of the
French I've ever seen on film, and a pretty good little romantic comedy
too.