Best Writing (Screenplay) Nomination
(shared with Charles Brackett and Walter Reisch)
1941
HOLD BACK THE DAWN
Best Writing (Screenplay) Nomination
(shared with Charles Brackett)
1941
BALL OF FIRE
Best Writing (Original Story) Nomination
(shared with Thomas Monroe)
1944
DOUBLE INDEMNITY
Best Director Nomination
1944
DOUBLE INDEMNITY
Best Writing (Screenplay) Nomination
(shared with Raymond Chandler)
1945
THE LOST WEEKEND
Best Director Oscar
1945
THE LOST WEEKEND
Best Writing (Screenplay) Oscar
(shared with Charles Brackett)
1948
A FOREIGN AFFAIR
Best Writing (Screenplay) Nomination
(shared with Charles Brackett and Richard L. Breen)
1950
SUNSET BLVD.
Best Director Nomination
1950
SUNSET BLVD.
Best Writing (Story and Screenplay)
Oscar
(shared with Charles Brackett and D.M. Marshman Jr.)
1951
THE BIG CARNIVAL
Best Writing (Story and Screenplay)
Nomination
(shared with Lesser Samuels and Walter Newman)
1953
STALAG 17
Best Director Nomination
1954
SABRINA
Best Director Nomination
1954
SABRINA
Best Writing (Screenplay) Nomination
(shared with Samuel A. Taylor and Ernest Lehman)
1957
WITNESS FOR THE PROSECUTION
Best Director Nomination
1959
SOME LIKE IT HOT
Best Director Nomination
1959
SOME LIKE IT HOT
Best Writing (Screenplay Based on
Material from Another Medium) Nomination
(shared with I.A.L. Diamond)
1960
THE APARTMENT
Best Picture Oscar
1960
THE APARTMENT
Best Director Oscar
1960
THE APARTMENT
Best Writing (Story and Screenplay
Written Directly for the Screen) Oscar
(shared with I.A.L. Diamond)
1966
THE FORTUNE COOKIE
Best Writing (Story and Screenplay
Written Directly for the Screen) Nomination
(shared with I.A.L. Diamond)
1987
Irving G. Thalberg Memorial Award--
given to "a creative producer who has been responsible for a consistently high
quality of motion picture production." (It is considered the
highest accolade a producer can receive.)