Downloads | Image Credits | Links
| THE QUIET MAN
"Duke" Wayne began his career as a prop
boy, stuntman and
extra in the mid-1920s before making his feature film debut in MEN WITHOUT WOMEN
(1930). Quickly working his way up from bit player to leading man in
Raoul Walsh's THE BIG TRAIL
(1930), Wayne would go on to star in almost 180 films over the course of
his career and win a Best Actor Oscar in 1969. Though he played
everything from football coaches to sailors, his roles in westerns and war
films came to define his screen persona, and it is for his contributions
to these all-American genres that he is best remembered today.
Though it was director
Raoul Walsh who first cast
Wayne in a starring role, THE BIG TRAIL (1930) was not a box-office
success, and Wayne quickly returned to bit parts, serials and starring
roles in B-westerns, including several for such "poverty row" studios as
Monogram and Republic Pictures. In 1939 however, director
John Ford, who had actually
used Wayne as a bit player during the late 1920s, rediscovered him
and cast Wayne in the leading role of the Ringo Kid in his landmark western
STAGECOACH. After more than a decade in Hollywood, Wayne became a
star overnight and established a life-long friendship with
Ford which led to a creative
partnership spanning over a dozen films.
Ineligible for military service due to an ear problem,
Wayne spent World War II in Hollywood appearing in a variety of roles, but
among his biggest box-office successes of the early 1940s were such war
films as FLYING TIGERS (1942), THE FIGHTING SEABEES (1944), BACK TO BATAAN
Ford's THEY WERE EXPENDABLE (1945). After the war, he
earned his first Academy Award nomination as Best Actor for his portrayal of
Sergeant Striker (at right) in SANDS OF IWO JIMA (1949).
Beginning in the late 1940s, Wayne began to produce his films
as well as star in them, and in 1960, he made his directorial debut with THE
ALAMO, a film which he also produced and starred in (as Davy Crockett).
THE ALAMO also marked another enduring partnership in Wayne's career -- that
with composer Dmitri Tiomkin
who had written scores for three of Wayne's previous films, and would
collaborate on two more.
earned an Academy Award nomination for his work on THE ALAMO (1960) and had also
composed the scores for RED RIVER (1948), RIO BRAVO (1959) and THE HIGH AND THE
MIGHTY (1954) (for which he won the Best Music Scoring Oscar).
Music Clips from Wayne's films with
Title" (clip) from RED RIVER (1948)
(a .MP3 file courtesy Marco Polo).
from RED RIVER (1948) (a .MP3 file courtesy Marco Polo).
River Ahead" (clip) from RED RIVER (1948)
(a .MP3 file courtesy Marco Polo).
Spectre Closes In" from RED RIVER (1948) (a .MP3 file courtesy
(clip) from THE HIGH AND THE MIGHTY (1954) (a .MP3
- Rio Bravo" (clip) from RIO BRAVO (1959) (a .MP3 file).
(clip) from THE ALAMO (1960) (a .MP2 file).
(clip) from THE ALAMO (1960) (a .MP3 file).
Music" (clip) from THE ALAMO (1960) (a .MP3 file).
Ballad of the Alamo" (clip) from THE ALAMO (1960) sung by Marty Robbins
(a .MP2 file).
Green Leaves of Summer" (clip) from THE ALAMO (1960) sung by The
Brothers Four (a .MP2 file).
(For help opening any of the above files, visit the plug-ins page.)
When he wasn't producing or directing, Wayne continued to act
in a variety of different films throughout the 1960s, among them HATARI! (1962),
DONOVAN'S REEF (1963), EL DORADO (1967), THE GREEN BERETS (1968) and TRUE GRIT
(1969), for which he won his first and only Best Actor Oscar. By the 1970s
however, he found himself playing prototypes of his established slow-talking,
straight-walking screen persona in a series of westerns which succeeded
financially, if not critically, because of the star's enduring box-office
appeal. Reminding audiences of the actor behind the personality however,
in his final film, THE SHOOTIST (1976) (the story of an aging gunslinger who,
like Wayne himself, finds out he's dying of cancer), the icon gave one of his
greatest film performances.
Go to the next page.
Page 1 | Page 2 |